Join Made of Memory exhibiting artist Dana Harris Seeger and experimental psychologist Dr. Patti Simone for a virtual talk as they discuss their understanding of memory, through the lenses of art and science.

Join us for this unique opportunity to hear from Made of Memory exhibiting artist Priyanka Rana in conversation with Dr. Beth Citron about art, memory, and the Indian diaspora.

Join us for a virtual artist talk with the lost ones’s Liz Harvey.

the lost ones: iterations and murmurs is an exhibition centered on the artworks, artifacts, and ephemera behind creating the lost ones, a multi-year performance project by Bay Area artist Liz Harvey. For the lost ones performance project, Harvey worked with a range of collaborators, including choreographers Mary Armentrout, Cherie Hill, and Megan Nicely, as well as science editor Lauren Muscatine. The project featured myriad performers rotating through an embroidered performance garment on which participants were invited to stitch images of endangered plants in order to highlight overlooked species, untold feminist histories, and little-acknowledged art practices.

For decades the Muwekma Ohlone Tribe has been working as stewards to protect their ancestral heritage sites throughout the San Francisco Bay Area. What role has archeology and anthropology played in revealing the 10,000 year history of Santa Clara County and the people indigenous to it, the ancestors of the Muwekma Ohlone? Hear from Monica V. Arellano, Vice Chairwoman of the Muwekma Ohlone Tribal Council and Most Likely Descendent Representative, and Alan Leventhal, Lecturer Emeritus of Anthropology at SJSU and Muwekma Tribal Archeologist, providing pre-contact and historical context on the history and heritage of the Muwekma Ohlone Tribe. Scholarly collaborations with the faculty and students from the Department of Anthropology at San Jose State University (SJSU) will be presented by Roberto Gonzalez, Chair of the Department of Anthropology, and Jan English-Lueck, Professor of Anthropology, and their students, as they discuss meaningful relationships and how the practice of anthropology and archeology has contributed to the education of the general public by supporting the Muwekma Ohlone Tribe in the development of the exhibition Reclamation.

Taking inspiration from our exhibition Terra Firma, join us for a special panel discussion exploring the importance of land stewardship, conservation, and environmental policy, curated by Marianne McGrath. Hear from experts Don Hankins, Professor of Geography and Planning at California State University, Chico, Sasha Berleman Ph.D., Director of Fire Forward, and Valentin Lopez, Chairman of the Amah Mutsun Tribal Band.

Curious about how exhibitions come together? Wondering how multiple partners can come together to accomplish a common vision? Learn about the collaboration and partnership between NUMU staff, the Muwekma Ohlone Tribal Council, San José State University anthropology professors and graduate students, and artists in telling the story of the Tribe’s history and heritage.

Join us for this unique opportunity to meet the artists of Terra Firma to learn more about their individual art practices and how this exhibition came about. The program will be facilitated with curator Marianne K. McGrath, and there will be a live Q+A.

We invite you to join NUMU during the week of Indigenous People’s Day to learn more about the Muwekma Ohlone Tribal Council’s effort to regain federal recognition. Hear from Tribal Chairwoman Charlene Nijmeh, Tribal Vice Chairwoman Monica Arellano, and Tribal Ethnohistorian Alan Leventhal as they discuss the tribe’s history, the decades of “politics of erasure” that have led to the present situation, where the fight for the Tribe’s reaffirmation as a federally recognized Tribe stands today, and how you can support the Muwekma Ohlone in their efforts.

NUMU will be opening two new exhibitions, one on November 4th and the other on December 9th, highlighting the history, heritage, culture, and places of significance of the Muwekma Ohlone Tribal Council.

Join us for a rare earnest artist talk with Kathy Aoki who will share a behind the scenes look at the conceptual nature of her work and how she produces it. Kathy Aoki has created many satirical, museum-style installations on themes ranging from Hello Kitty Monument, to makeup-dominated landscapes, to pop-diva Gwen Stefani's mortuary temple. How does she create these narratives and the extremely wide-range of "artifacts" and "historical" artworks that accompany them? Find out at this artist talk with live Q&A!

Join us for a special virtual artist talk with Alexander Hernandez, our inaugural Artist in Residence.

Presented by San Jose Museum of Quilts & Textiles (SJMQT), New Museum Los Gatos (NUMU), and Palo Alto Art Center

Join us for a conversation with Alexander Hernandez, a textile and mixed media artist whose vibrant quilted works explore issues of gender, immigration, and cultural assimilation with dynamic and creative techniques. In this hour-long discussion, Hernandez will discuss his most recent work as the inaugural Artist in Residence at NUMU. He will highlight his experimental approach to textiles utilizing non-traditional materials and techniques such as spray paint, found objects, and accentuation of rips, stains and loose threads.

Register Here

In this Community Conversation, we will explore the role of public art and policymaking in recognizing the labor and legacies of women’s work. Inspired by the themes present in Sawyer Rose’s exhibition, let’s discuss how we hold space for women as institutions, individuals, and collectives.

Join us in conversation with Womanhood Project. Womanhood, a project of Art Builds Community, is an arts-based initiative that explores different ways to commemorate women from all intersectional identities and their significant contributions to the region and beyond. Womanhood is an initiative through the County of Santa Clara Office of Women's Policy. You can learn more about Womanhood Project here!

In this Community Conversation, we will unpack the stereotypes of the “starving artist”. Inspired by the themes present in Sawyer Rose’s work, how can we dismantle misconceptions about artist labor?